Artist and audience / Terence Grieder.

By: Grieder, Terence [author]
Publisher: Madison, WI : Brown & Benchmark, [1996]Publisher: ©1996Edition: Second editionDescription: 512 pages : illustrations (some color), maps ; 28 cmContent type: text Media type: unmediated Carrier type: volumeISBN: 0697286924; 9780697286925Subject(s): Art -- Psychology | Communication in art | Art and societyDDC classification: 701.1 LOC classification: N71 | .G685 1996Online resources: Publisher description | Table of contents
Contents:
Part I Communicating in a World of Art 1 Art Worlds Roles in the Art World The Artist The Art Dealer The Patron and the Collector The Critic and the Art Historian The Audience Two Case Histories The Vietnam Memorial The Rockefeller Center Mural Art Museums 2 Interpreting Works of Art The Traditional Subjects of Art Portraits of Individuals The Still Life The Nude Figure The Landscape The Divine Powers Abstract Art Part II Analyzing Works of Art 3 The Elements of Art Line Some Uses of Line in Sculpture Shape Value Color Texture Mass and Space Sculptural Mass and Space Illusions of Mass and Space Size and Scale Four Systems of Perspective Time and Movement 4 Understanding Design Unity Variety Balance Rhythm Emphasis Proportion The Golden Mean The Canon of Human Proportions Intuitive Proportions Composing Designs The Circle and the Square The Triangle The Problem of Style Part III Art Media 5 The Graphic Media Drawing The Sketch, the Study, and the Finished Drawing The Tools and Materials of Drawing Printmaking Relief Prints: Woodcut and Linocut Intaglio Prints: Engraving and Etching Lithography Serigraphy Photographic and Computer Arts Photography Color Photography Cinema Video Digital Photography and Computer Graphics Virtual Reality Originality and Truth 6 Painting Fresco Michelangelo’s Sistine Chapel Ceiling Orozco’s Caba as Orphanage Watercolor Tempera Oil Painting Acrylic Painting 7 Sculpture Relief and Round Traditional Materials and Techniques Carving Modeling Casting The Materials and Techniques of 20th-century Sculpture Construction in Hard Materials Construction in Soft Materials Site Specific and Environmental Sculpture Sculpture Based on Energy Designing New Forms for the Human Body Part IV Architecture and Applied Design 8 Styles and Structures in Architecture and the Environment Building with Beams The Post and Lintel System The Cantilever The Truss Classical Architecture Building with Blocks The Arch The Vault The Dome Gothic Architecture The Renaissance Dome Sirigu Chana The Design of Cities The Ancient City The Traditional City The Modern City Modern Architecture Frank Lloyd Wright Le Corbusier Recent Trends in Architecture 9 Design Applications The Architectural Interior The Palace of Versailles and French Design The Bauhaus Recent Furniture and Interiors Textiles and Clothing Ancient Greek Clothing An Ancient Textile Industry in Peru European Clothing of the 16th to 19th Centuries Modern Dress Three Technologies of Fire Ceramics Glass Metal Design in Motion Part V Recognizing the Great Styles 10 Ancient Styles The Stone Age Art in the Early Cities Mesopoamia Egypt The Maya The Classical Styles of Greece and Rome Greece Hellenistic Art, 330-30 B.C The Roman Empire 11 Styles of the Middle Ages: 400-1400 Christian Styles of Europe Byzantine Art Western European Art The Art of Islam The Art of Africa Art in China 12 Styles of the Colombian Age: 15th-18th Centuries The Renaissance in Italy Artists and Patrons The Artists The Audience and the Critics Subjects Three Phases of Renaissance Style Venice in the 1500s The Renaissance in Northern Europe Realism and Spirtuality Subjects Bosch, Grunewald, Bruegel The Wave and the Rock: Art in Japan: 1500-1700 The Cult of Shinot and the Yamato Style Zen Buddhism European Art from 1600 to 1750 Baroque Style Rococco Style 13 Neo-Classicism, Romanticism, and the Beginnings of Modernism European Art: 1740-1940 Neo-Classicism: The Art of Reason Art and Science Ingres and the Later Neo-Classic Romanticsim: Emotion Revalued Delacroix Goya and the Irrational Realism: Nothing but the Truth Courbet and Millet An International Movement Manet and the Foundations of Modernism Impressionism Monet Renoir Degas Morisot Rodin and Impressionism in Sculpure Post-Impressionism Seurat and Pointillism Cezanne Van Gough and Expressionism Gauguin and Synthetism The Battlefields of Art Art in Paris: 1900-40 Cubism Expressionsim Psychological Styles Non-Objective Art 14 Late 20th-century Globalism New York as an International Center Abstract Expressionism Hard-edge Abstraction and Minimalism Pop Art Photo Realism The Shamans Globalism References Suggested Reading Glossary
Summary: Prepare your students to be intelligent participants in art with Artist and Audience. Author Terence Grieder gives your students a taste of the world of art in the opening chapter before moving into the various elements and media. Part V offers a historical survey of world art in which students learn to appreciate the various styles as they appeared across the globe and throughout history.
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BOOK BOOK COLLEGE LIBRARY
COLLEGE LIBRARY
SUBJECT REFERENCE 		701.1 G871 1996 (Browse shelf) Available CL-34414
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Includes index

Includes bibliographical references (p. 500-503) and index.

Part I Communicating in a World of Art
1 Art Worlds
Roles in the Art World
The Artist
The Art Dealer
The Patron and the Collector
The Critic and the Art Historian
The Audience
Two Case Histories
The Vietnam Memorial
The Rockefeller Center Mural
Art Museums


2 Interpreting Works of Art
The Traditional Subjects of Art
Portraits of Individuals
The Still Life
The Nude Figure
The Landscape
The Divine Powers
Abstract Art

Part II Analyzing Works of Art
3 The Elements of Art
Line
Some Uses of Line in Sculpture
Shape
Value
Color
Texture
Mass and Space
Sculptural Mass and Space
Illusions of Mass and Space
Size and Scale
Four Systems of Perspective
Time and Movement

4 Understanding Design
Unity
Variety
Balance
Rhythm
Emphasis
Proportion
The Golden Mean
The Canon of Human Proportions
Intuitive Proportions
Composing Designs
The Circle and the Square
The Triangle
The Problem of Style

Part III Art Media
5 The Graphic Media
Drawing
The Sketch, the Study, and the Finished Drawing
The Tools and Materials of Drawing
Printmaking
Relief Prints: Woodcut and Linocut
Intaglio Prints: Engraving and Etching
Lithography
Serigraphy
Photographic and Computer Arts
Photography
Color Photography
Cinema
Video
Digital Photography and Computer Graphics
Virtual Reality
Originality and Truth

6 Painting
Fresco
Michelangelo’s Sistine Chapel Ceiling
Orozco’s Caba as Orphanage
Watercolor
Tempera
Oil Painting
Acrylic Painting

7 Sculpture
Relief and Round
Traditional Materials and Techniques
Carving
Modeling
Casting
The Materials and Techniques of 20th-century Sculpture
Construction in Hard Materials
Construction in Soft Materials
Site Specific and Environmental Sculpture
Sculpture Based on Energy
Designing New Forms for the Human Body

Part IV Architecture and Applied Design
8 Styles and Structures in Architecture and the Environment
Building with Beams
The Post and Lintel System
The Cantilever
The Truss
Classical Architecture
Building with Blocks
The Arch
The Vault
The Dome
Gothic Architecture
The Renaissance Dome
Sirigu Chana
The Design of Cities
The Ancient City
The Traditional City
The Modern City
Modern Architecture
Frank Lloyd Wright
Le Corbusier
Recent Trends in Architecture
9 Design Applications
The Architectural Interior
The Palace of Versailles and French Design
The Bauhaus
Recent Furniture and Interiors
Textiles and Clothing
Ancient Greek Clothing
An Ancient Textile Industry in Peru
European Clothing of the 16th to 19th Centuries
Modern Dress
Three Technologies of Fire
Ceramics
Glass
Metal
Design in Motion

Part V Recognizing the Great Styles
10 Ancient Styles
The Stone Age
Art in the Early Cities
Mesopoamia
Egypt
The Maya
The Classical Styles of Greece and Rome
Greece
Hellenistic Art, 330-30 B.C
The Roman Empire
11 Styles of the Middle Ages: 400-1400
Christian Styles of Europe
Byzantine Art
Western European Art
The Art of Islam
The Art of Africa
Art in China

12 Styles of the Colombian Age: 15th-18th Centuries
The Renaissance in Italy
Artists and Patrons
The Artists
The Audience and the Critics
Subjects
Three Phases of Renaissance Style
Venice in the 1500s
The Renaissance in Northern Europe
Realism and Spirtuality
Subjects
Bosch, Grunewald, Bruegel
The Wave and the Rock: Art in Japan: 1500-1700
The Cult of Shinot and the Yamato Style
Zen Buddhism
European Art from 1600 to 1750
Baroque Style
Rococco Style
13 Neo-Classicism, Romanticism, and the Beginnings of Modernism
European Art: 1740-1940
Neo-Classicism: The Art of Reason
Art and Science
Ingres and the Later Neo-Classic
Romanticsim: Emotion Revalued
Delacroix
Goya and the Irrational
Realism: Nothing but the Truth
Courbet and Millet
An International Movement
Manet and the Foundations of Modernism
Impressionism
Monet
Renoir
Degas
Morisot
Rodin and Impressionism in Sculpure
Post-Impressionism
Seurat and Pointillism
Cezanne
Van Gough and Expressionism
Gauguin and Synthetism
The Battlefields of Art
Art in Paris: 1900-40
Cubism
Expressionsim
Psychological Styles
Non-Objective Art
14 Late 20th-century Globalism
New York as an International Center
Abstract Expressionism
Hard-edge Abstraction and Minimalism
Pop Art
Photo Realism
The Shamans
Globalism

References
Suggested Reading

Glossary

Prepare your students to be intelligent participants in art with Artist and Audience. Author Terence Grieder gives your students a taste of the world of art in the opening chapter before moving into the various elements and media. Part V offers a historical survey of world art in which students learn to appreciate the various styles as they appeared across the globe and throughout history.

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