000			02049pam a2200373 a 4500
999			_c72006 _d72006
001			2978650
003			CITU
005			20210803040941.0
008			920924s1993 ctua b 001 0 eng
010			_a 92035017
020			_a0300055137
020			_a0300055145 (paper)
040			_aCITU LRAC _ceng
043			_ae-fr---
050	0	0	_aND547.5.I4 _bM64 1993
082	0	0	_a759.409034 _220
100	1		_aFrascina, Francis. _eauthor
245	0	0	_aModernity and modernism : _bFrench painting in the nineteenth century / _cFrancis Frascina ... [et. al.].
264		1	_aNew Haven : _bYale University Press, in association with the Open University, _cc1993.
300			_a297 pages : _b illustrations (some color) ; _c27 cm.
336			_atext _btxt _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
490			_aModern art--practices and debates
504			_aIncludes bibliographical references (p. 290) and index.
505			_aIntroduction / by Briony Fer. -- Modern practices of art and modernity / by Nigel Blake and Francis Frascina. -- Impressionism, modernism and originality / by Charles Harrison. -- Gender and representation / by Tamar Garb.
520			_a This is the first in a series of four books about art and its interpretation from the mid-nineteenth century to the end of the twentieth. The authors seek to explain the most important issues confronting any study of modern art, without attempting exhaustive coverage. The books present a range of approaches characteristic of current art-historical debates. The first volume focuses on aspects of Realism, Impressionism and Post-Impressionism in Paris between about 1848 and 1900.
650		0	_aPainting, French _y19th century.
650		0	_aImpressionism (Art) _zFrance.
650		0	_aModernism (Art) _zFrance.
906			_a7 _bcbc _corignew _d1 _eocip _f19 _gy-gencatlg
942			_2ddc _cBK